Saturday, October 5
Doors: 7:00 PM / Show: 8:00 PM
Tickets: $20
Sarah Shook & The Disarmers will be at Struthers Library Theatre on Saturday, October 5, at 8PM. Sponsored by Warren Concert Association. It’s obvious listening to Sarah Shook and the Disarmers’ clear-eyed, biting, and unafraid songs that integrity is the most important thing to the Chapel Hill, North Carolina, country-punk outfit. “A lot of artists are in this industry for fame, recognition, and money but those things don’t mean anything to me,” says bandleader River Shook. “Songwriting is it for me. It’s the only real healthy coping mechanism I've ever had. It’s life-saving. I don't care about any superficial things when I’m making a record.” On their resonant fourth album Revelations, produced by Shook and out March 29 via Thirty Tigers, these raw and resilient tracks come first. Throughout, Shook’s deft storytelling documents regular people getting by and keeping on, all presented without filter or pretension.
Roots Rising is a new Struthers Library Theatre concert series focusing on original American roots music. The series aims to build community and inspire creativity by presenting nationally recognized blues, country, folk, bluegrass, and Americana artists. Join us in our mission to connect friends, families, and neighbors with affordable, high-quality entertainment. The series consists of ticketed main-stage events and free Sally’s Encore Theatre Bar events. Sponsored by Warren Concert Association.
Emerging from Chicago’s flourishing indie music scene, Half Gringa blends contemporary indie-rock and Latinx pop with midwestern folk. “When you grew up in the Midwest really into alternative rock, but heard a lot of country music in the supermarket,” offers Isabel Olive, the songwriter and multi-instrumentalist at the core of Half Gringa, when asked to place her music in a specific genre. “Or when your mom loved Bruce Springsteen and Maná and sometimes your brain starts playing them at the same time.” The name Half Gringa is both a tribute to and study of her legacy, stemming from a childhood term of endearment as “la Gringa” in her Venezuelan family and her bicultural experience growing up in the United States. Olive's work seeks to narrate her tireless pursuit as a pupil of both her origins and her experiences.